This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... We live in it and are happy.
An extended argument of what participation might be and mean in architecture. Probably my most ‘scholarly’ piece. Widely cited and (so my co-design colleagues tell me) respected.
This is a rare one where I write specifically about buildings, or in this case the subtlety of the plans of Proctor Matthews Architects. Online here, pdf here.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My main statement of intent, which has been extensively reviewed (collected here) and featured on BBC Radio 3 and 4. The contents are available on the MIT Press website, as are pdfs of the preface and introduction. A version of Chapter 2 was published in field: and is available as a pdf. Winner 2009 RIBA President’s Award for Outstanding University based research.
Short and a bit inconsequential riposte to Markus Miessen’s Nightmare of Participation.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
Early stuff on research and first ideas on contingency. Others like this more than I do. Big in China.
Early piece, written when I had just got Lefebvre. Introduces themes that I play on for years to come.
“Beyond the Fountainhead” Lecture at the fantastic Studio X, a venture of Columbia's GSAAD. Video here
The foreword to Arna Mathiesen's great book Scarcity In Excess, which investigates the effects of scarcity on the built environment in Iceland following the economic crisis of 2008. Other excerpts of the book are on Issuu
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.