Early stuff on research and first ideas on contingency. Others like this more than I do. Big in China.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Lecture given at the Australian Institute of Architects Annual Conference 2015. One of my better 'performances'
A short piece that I wrote in 2010 for the Architects Journal about end-of-year architecture shows. Some rather paranoid architectural tutors at Westminster (where I was then Dean) saw this as an attack on them personally, and so excommunicated me forthwith. In fact it was nothing to do with them but rather a concern about the general direction of architectural education as manifested through the exhibition.
Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
Not a lecture, but a podcast. The first episode from the new 'Architecture Academy' Podcast, set up and delivered by Marc Tuitt (who once was a student at Sheffield when I was Head of School). Under his wise questioning and sharp editing, I come across (though I say it myself) as sharp and focussed on some contemporary architectural issues (sexism, the profession, education and Brexit among them).
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
My essay on architectural research, Three Myths and One Model, is being translated into French, so I thought it was time to write a new introduction to it, because the argument felt a bit tired, presented as it was ten years ago.
A short think piece on the 2011 Occupation movement and its relevance to architecture.