The Future is Hairy
The best essay on the building and meaning of our house, with stories.
"Continue to contaminate your bed, and one day you will suffocate in your own waste" Duwamish chief Seattle to Pres… https://t.co/qTXguYJazz
The best essay on the building and meaning of our house, with stories.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A podcast with me being interviewed by two great CSM students from the MA Culture, Criticism and Curation course - discussing art education at Central Saint Martins in relation to the contemporary condition
When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.
A lecture given as part of the The UCL Institute for Innovation and Public Purpose’s lecture series “Rethinking Public Value and Public Purpose in 21st Century Capitalism”. It is the first run out of what happens when the ideas I have been developing in architecture for some years get rolled out to the wider field of design.
Posted in honour of their 2014 RIBA Gold Medal Award. First published in Architectural Review in 2005 (and needs the drawings/pictures) A bit of a rave.
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A research project funded by AHRC done with Tatjana Schneider and Nishat Awan at the University of Sheffield, gathering together numerous examples of how to use architectural intelligence beyond the production of objects, and in particular in terms of social and political agency. As part of the project we curated the 2009 RIBA Research Symposium (and Jonathan Charley’s video piece on the site is wonderful), produced a book, a website & various articles, and edited two special issues one of field: the other of ARQ. The project was awarded the 2011 RIBA President’s Award for Outstanding University-based Research, making me the only person to have received this internationally important award three times.