Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The best essay on the building and meaning of our house, with stories.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
An extended argument of what participation might be and mean in architecture. Probably my most ‘scholarly’ piece. Widely cited and (so my co-design colleagues tell me) respected.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Edited with Peter Blundell Jones and Doina Petrescu. A collection of essays setting out the whys and hows of new approaches to participation. My chapter in the book appears to have ended up on this website. (under Biblioteca) Other chapters include work by Jon Broome, Giancarlo de Carlo, CHORA, and my two fellow editors.
When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
The first book from my scarcity research project. Edited with Jon Goodbun and Deljana Iossifova, it brings together some good articles, including ones by Ezio Manzini, Erik Swyngedouw, Winy Maas, Kate Soper and more. Table of contents is here.
The presentation from a keynote that I gave at Polimi as part of the Architecture Unlocks Nature conference. I felt the need to reverse the title of the conference to reflect that our sensibility needs to shift to one that puts nature in the driving seat.