Design after Design
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Architecture Depends/Spatial Ethics. Video of the lecture is here.
Happy to host Paul Chatterton's report: A Civic Plan for a Climate Emergency. Read it, y'all!
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
The first book from my scarcity research project. Edited with Jon Goodbun and Deljana Iossifova, it brings together some good articles, including ones by Ezio Manzini, Erik Swyngedouw, Winy Maas, Kate Soper and more. Table of contents is here.
A lecture given as part of the The UCL Institute for Innovation and Public Purpose’s lecture series “Rethinking Public Value and Public Purpose in 21st Century Capitalism”. It is the first run out of what happens when the ideas I have been developing in architecture for some years get rolled out to the wider field of design.
This is my glowing review of Barnabas Calder's new history of architecture, from the perspective of energy and climate. Spoiler alert: it is good.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Text of my talk as part of the celebration of PBJ's life held at the University of Sheffield, 16th November 2016
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made