Angels with Dirty Faces
The article when I found my voice. Stories, the everyday and a sprinkling of theory.
The article when I found my voice. Stories, the everyday and a sprinkling of theory.
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Really just a transcription of a lecture — ideas on housing, the everyday and occupation over form.
For Occupied Times, the journal of the occupation movement. On austerity contra scarcity
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.
A lecture given as part of the The UCL Institute for Innovation and Public Purpose’s lecture series “Rethinking Public Value and Public Purpose in 21st Century Capitalism”. It is the first run out of what happens when the ideas I have been developing in architecture for some years get rolled out to the wider field of design.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Edited text of an interview with me about participation done with Bernd Upmeyer of the Dutch journal MONU
With Nishat Awan and Tatjana Schneider. Out of the Spatial Agency project, the book provides supporting texts to the website. A summary of the issues is in our Architecture Today article, and an early review by Luke Butcher is here, plus nice ones in archidose and arquilecturas. A short excerpt (on ecological examples of spatial agency) was published in field. Winner 2011 RIBA President’s Award for Outstanding University based research.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture