This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short text written by our research collective MOULD as part of our pitch for the Rotterdam Architecture Biennale 2024. The text situates our research project Architecture is Climate as a parable.
A research project funded AHRC and done with Tatjana Schneider at the University of Sheffield, looking at the history and contemporary possibilities of housing that is designed for future change and adaptation. The project resulted in a book and a number of articles, two of which are apparently among the most cited of ARQ articles. Winner 2007 RIBA President’s Award for Outstanding University-based Research. The link is to the almost final version of the book, which was beautifully designed by Ben Weaver.
Another version of Architecture after Architecture. This time in a conference about resilience held in Miami, and I went in hard. I think one of the better lectures on the subject that I have given. Starts at 23.30.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Early stuff on research and first ideas on contingency. Others like this more than I do - it won best paper at EAAE conference. Big in China (reprinted in The Architect (China), Vol 118 Dec 2005)
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.
From Objects of Austerity to Processes of Scarcity. Text of presentation available through link above.
Second of two, with some hints as to how to achieve flexible housing, much more developed in the book.
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A lecture on architectural education that I presented at The Agency Conference in Sydney in 2017, Yale Symposium on Rebuilding Architecture in 2018, and as part of the Bartlett International Lecture Series in 2018. It starts with the premise that architectural education is inherently conservative, and then spins out the argument from that uncomfortable start. The video link is from the Bartlett version. It did not go down universally well...
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.