The Architecture of Good Intentions
Reflections on 2016 Venice Architecture Biennale
Reflections on 2016 Venice Architecture Biennale
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A large European funded research project for which was the project leader. Looking at the way the production of the built environment is affected under conditions of scarcity. In partnership with TU Vienna and Oslo School of Architecture, and working with Deljana Iossifova and Jon Goodbun at the University of Westminster and the SEED Foundation. A range of books, exhibitions and events came out of it (press the 'scarcity' link below to find some of them).The link is to our original application to the HERA (Humanities in the European Research Area). It was one of only 18 projects funded under the first HERA call, with over 200 applications submitted.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
Lecture given at the Australian Institute of Architects Annual Conference 2015. One of my better 'performances'
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Not my musing, but that of my brother Nick Till. Nails the issues around Margaret Thatcher's funeral rather beautifully in two paragraphs
An obituary written for the Architectural Review and Architects Journal, just a few days after the tragic loss of PBJ.
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.