NAi/Berlage Institute: Delft
Architecture Depends/Spatial Ethics. Video of the lecture is here.
"Continue to contaminate your bed, and one day you will suffocate in your own waste" Duwamish chief Seattle to Pres… https://t.co/qTXguYJazz
Architecture Depends/Spatial Ethics. Video of the lecture is here.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
A short think piece on the 2011 Occupation movement and its relevance to architecture.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
This is my glowing review of Barnabas Calder's new history of architecture, from the perspective of energy and climate. Spoiler alert: it is good.
More or less what it says on the tin — facts that were correct in early 2012.
An essay based on a presentation to the Society of Architectural Historians, tracing various historical episodes of austerity.
Text of a short talk I gave at the RIBA during a seminar on the legacy of the Bauhaus.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My longest piece on architectural education. Finalist in EAAE competition. Maybe should have won, but the judges, Perez-Gomez and Palaasma, rose to my bait of inauthentic phenomenology and sulked.
Written in despair that it appears to have become an acceptable norm for architects to work in Saudi Arabia. I pick off the common justifications one by one. Published on the day that Saudi was awarded the World Cup in a piece of egregious sportwashing.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A short piece that I wrote in 2010 for the Architects Journal about end-of-year architecture shows. Some rather paranoid architectural tutors at Westminster (where I was then Dean) saw this as an attack on them personally, and so excommunicated me forthwith. In fact it was nothing to do with them but rather a concern about the general direction of architectural education as manifested through the exhibition.