Glossing over the cracks
My response as to why giving the official government website 2013 Design of the Year was not so cool.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A lecture as part of the brilliant Architecture and Labour lecture series and symposium organised by Mel Dodd and the Spatial Practices team at Central Saint Martins, in association with Olly Wainwright. A properly writtten version of the lecture appears as a book chapter in The Competition Grid. I have pasted the text of the chapter in the link, and this is the link to the video of the lecture. My lecture starts at 54.30, but it is very worth watching Peggy Deamer first.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
A research project funded AHRC and done with Tatjana Schneider at the University of Sheffield, looking at the history and contemporary possibilities of housing that is designed for future change and adaptation. The project resulted in a book and a number of articles, two of which are apparently among the most cited of ARQ articles. Winner 2007 RIBA President’s Award for Outstanding University-based Research. The link is to the almost final version of the book, which was beautifully designed by Ben Weaver.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
Reflections on 2016 Venice Architecture Biennale
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Really just a transcription of a lecture — ideas on housing, the everyday and occupation over form.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
This was a comment on the UK Government's White Paper on Higher Education from 2011. Corrects a few myths.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A podcast with me being interviewed by two great CSM students from the MA Culture, Criticism and Curation course - discussing art education at Central Saint Martins in relation to the contemporary condition