Studio X: Rio de Janeiro
“Beyond the Fountainhead” Lecture at the fantastic Studio X, a venture of Columbia's GSAAD. Video here
“Beyond the Fountainhead” Lecture at the fantastic Studio X, a venture of Columbia's GSAAD. Video here
A research project funded AHRC and done with Tatjana Schneider at the University of Sheffield, looking at the history and contemporary possibilities of housing that is designed for future change and adaptation. The project resulted in a book and a number of articles, two of which are apparently among the most cited of ARQ articles. Winner 2007 RIBA President’s Award for Outstanding University-based Research. The link is to the almost final version of the book, which was beautifully designed by Ben Weaver.
A lecture given as part of the The UCL Institute for Innovation and Public Purpose’s lecture series “Rethinking Public Value and Public Purpose in 21st Century Capitalism”. It is the first run out of what happens when the ideas I have been developing in architecture for some years get rolled out to the wider field of design.
My first foray into the intersection of politics and architecture. Spiky.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The foreword to Arna Mathiesen's great book Scarcity In Excess, which investigates the effects of scarcity on the built environment in Iceland following the economic crisis of 2008. Other excerpts of the book are on Issuu
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
Together with members of MOULD, I delivered a keynote address at the opening of the International Architecture Biennale Rotterdam, 'Nature of Hope', where we were also exhibiting our embroidery installation. The lecture has interventions from members of MOULD who stand up to read excerpts from our writings. Our bit starts around 32 minutes in.
On the dangers and vanities of form. Written when I was wading through my philosophy degree and it shows.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
On the day that the Brexit referendum was announced, I impulsively wrote to all my CSM colleagues. The email was then leaked and waves were created, not least in the Daily Mail who later included this as evidence that I was one of many traitors to the so-called 'will of the people.'
My response as to why giving the official government website 2013 Design of the Year was not so cool.