This explains some the background as to why I have pledged only to accept invitations to panels, conferences and so on where there is at least 30% representation from women.
Rather a miserabilist piece, but gets in that fantastic Seneca quote: ‘Those were happy times before the days of architects.’
A short think piece on the 2011 Occupation movement and its relevance to architecture.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My longest piece on architectural education. Finalist in EAAE competition. Maybe should have won, but the judges, Perez-Gomez and Palaasma, rose to my bait of inauthentic phenomenology and sulked.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Editorial for the third issue of the Italian Journal Ardeth, for which I was guest editor. The issue theme was ‘Money’
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
With Tatjana Schneider. A comprehensive survey of Flexible Housing design. Winner 2007 RIBA President’s Award for Outstanding University based research, with judges saying: ‘An exemplary body of architecturally-relevant research’ offering comparative design plans, well-researched historical referencing, a new classification system and a practical manual/tool kit. An innovative and brave approach?? There is a long and useful, if quite critical, review by John Habraken (who is one of the book’s heroes). The book is beautifully designed by Ben Weaver, who also did Spatial Agency book and Architecture & Participation. The link is to an almost final version of the pdf of the book.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Lightish introduction to a whole issue of field (with articles worth reading); the start of the Spatial Agency Project.
First of two articles setting out the preliminary argument for the book, Flexible Housing. Apparently, one of ARQ's most cited ever article.
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.