Architecture Criticism against the Climate Clock
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Musings on Biennales and architectural exhibitions. Good opening! Light follow through.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
My first foray into the intersection of politics and architecture. Spiky.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
Posted in honour of their 2014 RIBA Gold Medal Award. First published in Architectural Review in 2005 (and needs the drawings/pictures) A bit of a rave.
Thoughts on the London riots. I think good.
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
For Occupied Times, the journal of the occupation movement. On austerity contra scarcity
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.