Jeremy Till

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Is the Golden Age of Art Schools Over?

When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.

New Collectives

An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

What's the Point of Art School

My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian

Resuscitating Architectural Education

An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne. 

A Landscape of Pure Scarcity

The foreword to Arna Mathiesen's great book Scarcity In Excess, which investigates the effects of scarcity on the built environment in Iceland following the economic crisis of 2008. Other excerpts of the book are on Issuu

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

A Happy Age

Rather a miserabilist piece, but gets in that fantastic Seneca quote: ‘Those were happy times before the days of architects.’

Studio X: Rio de Janeiro

“Beyond the Fountainhead” Lecture at the fantastic Studio X, a venture of Columbia's GSAAD. Video here

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Thatcher's Funeral

Not my musing, but that of my brother Nick Till. Nails the issues around Margaret Thatcher's funeral rather beautifully in two paragraphs

Competitive Strain Syndrome

A lecture as part of the brilliant Architecture and Labour lecture series and symposium organised by Mel Dodd and the Spatial Practices team at Central Saint Martins, in association with Olly Wainwright. A properly writtten version of the lecture appears as a book chapter in The Competition Grid. I have pasted the text of the chapter in the link, and this is the link to the video of the lecture. My lecture starts at 54.30, but it is very worth watching Peggy Deamer first. 

Design: Duarte Carrilho da Graça & Philipp Sokolov