Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.
A worthy piece that begins to unpick notions of autonomy in architecture. Good opening, slightly ploddy continuation.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My longest piece on architectural education. Finalist in EAAE competition. Maybe should have won, but the judges, Perez-Gomez and Palaasma, rose to my bait of inauthentic phenomenology and sulked.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
Lecture given at the Australian Institute of Architects Annual Conference 2015. One of my better 'performances'
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Funny how ideas formed so long ago still come up. But rather gauche nonetheless.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My response as to why giving the official government website 2013 Design of the Year was not so cool.