My response as to why giving the official government website 2013 Design of the Year was not so cool.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Umeå School of Architecture, as part of their “Making Architecture Politically” lecture series. A new lecture. Quite bossy but clear about the issues. Video is here. Starts about 50mins in with a very generous introduction from Roemer Van Toorn (whose writing is always worthwhile).
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian.
This is a rare one where I write specifically about buildings, or in this case the subtlety of the plans of Proctor Matthews Architects. Online here, pdf here.
Thoughts on the London riots. I think good.
An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
Another piece on architectural education. Rather showy-offy, but was an finalist in the EAAE competition for writings in architectural education that year.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My longest piece on architectural education. Finalist in EAAE competition. Maybe should have won, but the judges, Perez-Gomez and Palaasma, rose to my bait of inauthentic phenomenology and sulked.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture