Posted in honour of their 2014 RIBA Gold Medal Award. First published in Architectural Review in 2005 (and needs the drawings/pictures) A bit of a rave.
Second of two, with some hints as to how to achieve flexible housing, much more developed in the book.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Funny how ideas formed so long ago still come up. But rather gauche nonetheless.
The best essay on the building and meaning of our house, with stories.
More or less what it says on the tin — facts that were correct in early 2012.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This explains some the background as to why I have pledged only to accept invitations to panels, conferences and so on where there is at least 30% representation from women.
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Musings on Biennales and architectural exhibitions. Good opening! Light follow through.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Some podcasts that accompanied the launch of the Architecture is Climate book. First is a conversation on the Monocle Urbanism podcast, with some robust questioning from Andrew Tuck. Second is a discussion on the wonderful Planet Critical podcast, where the brilliant Rachel Donald takes Tatjana Schneider and I down new routes.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.