Jeremy Till

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

The Intimate Inner

My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Scarcity contra Austerity

Unpicking the differences between scarcity and austerity, the implications for the built environment. Good twitter feedback. Translated into French courtesy of the great journal Criticat. Pdf of translation here.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Response to Paul Finch on Extinction Rebellion

This is my very short response to Paul Finch's comments on Extinction Rebellion that he made in the Architects Journal on 14th May and 21st May 2019

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Flexible Housing, the means to the end (with Tatjana Schneider)

Second of two, with some hints as to how to achieve flexible housing, much more developed in the book.

NAi/Berlage Institute: Delft

Architecture Depends/Spatial Ethics. Video of the lecture is here.

Keynote at opening of IABR

Together with members of MOULD, I delivered a keynote address at the opening of the International Architecture Biennale Rotterdam, 'Nature of Hope', where we were also exhibiting our embroidery installation. The lecture has interventions from members of MOULD who stand up to read excerpts from our writings. Our bit starts around 32 minutes in.

The Knowledges Of Architecture

A worthy piece that begins to unpick notions of autonomy in architecture. Good opening, slightly ploddy continuation.

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

How will architects be educated in 20 years time?

A short piece written in 2012 for the RIBA Building Futures series on the future of architectural education and the profession. More bullish than I now feel.

Thick Time

Sticky opening (I was reading Kant at the time) but better later on issues of time in architecture.

Echo City: British Pavilion at 2006 Venice Architecture Biennale

Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)

Design: Duarte Carrilho da Graça & Philipp Sokolov