The Architecture of Good Intentions
Reflections on 2016 Venice Architecture Biennale
"Continue to contaminate your bed, and one day you will suffocate in your own waste" Duwamish chief Seattle to Pres… https://t.co/qTXguYJazz
Reflections on 2016 Venice Architecture Biennale
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Posted in honour of their 2014 RIBA Gold Medal Award. First published in Architectural Review in 2005 (and needs the drawings/pictures) A bit of a rave.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
An invitation from the Italian journal STOA which I could not resist because the other invitee was Valerio Olgiati, whose take on architectural references is the polar opposite to mine. I swipe a bit, but maybe not hard enough, at his stance in this essay.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
With Nishat Awan and Tatjana Schneider. Out of the Spatial Agency project, the book provides supporting texts to the website. A summary of the issues is in our Architecture Today article, and an early review by Luke Butcher is here, plus nice ones in archidose and arquilecturas. A short excerpt (on ecological examples of spatial agency) was published in field. Winner 2011 RIBA President’s Award for Outstanding University based research.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Lecture at Het Nieuwe Instituut in Rotterdam, that runs through the structure and argument of our book of the same title. The link is to the video, with my lecture on first.
A lecture given as part of the The UCL Institute for Innovation and Public Purpose’s lecture series “Rethinking Public Value and Public Purpose in 21st Century Capitalism”. It is the first run out of what happens when the ideas I have been developing in architecture for some years get rolled out to the wider field of design.
A further explanation of my 30% pledge, which seems to have raised debate (see comments) elsewhere on the very wonderful Parlour website.
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Scarcity Scares. Video here.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.