My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
A research project funded by AHRC done with Tatjana Schneider and Nishat Awan at the University of Sheffield, gathering together numerous examples of how to use architectural intelligence beyond the production of objects, and in particular in terms of social and political agency. As part of the project we curated the 2009 RIBA Research Symposium (and Jonathan Charley’s video piece on the site is wonderful), produced a book, a website & various articles, and edited two special issues one of field: the other of ARQ. The project was awarded the 2011 RIBA President’s Award for Outstanding University-based Research, making me the only person to have received this internationally important award three times.
Scarcity Scares. Video here.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Judy Willcocks, the Head of the Museum at Central Saint Martins, sat me down to cover my time from 2012-222 as Head of Central Saint Martins. We covered a lot of ground in 50 minutes, and it is a useful summary/memory of that period (at least for me)
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
Lightish introduction to a whole issue of field (with articles worth reading); the start of the Spatial Agency Project.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
Very early thoughts from our Scarcity and Creativity project. Now looks rather crude.
Edited with Peter Blundell Jones and Doina Petrescu. A collection of essays setting out the whys and hows of new approaches to participation. My chapter in the book appears to have ended up on this website. (under Biblioteca) Other chapters include work by Jon Broome, Giancarlo de Carlo, CHORA, and my two fellow editors.