Designs of the Year 2014
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.
Working with colleagues at the University of Sheffield School of Architecture, most notably Prue Chiles and Carolyn Butterworth, we established the most developed live projects programme in the country, probably the world, with some truly wondrous results. For example, look at the final report (Part 1, Part 2, Part 3) from a group of students that I supervised looking at the use of urine to make mud bricks in Darfur. It is remarkable what they achieved in six weeks - should be awarded a PhD for this alone IMHO.
A short piece written in 2012 for the RIBA Building Futures series on the future of architectural education and the profession. More bullish than I now feel.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A research project funded by AHRC done with Tatjana Schneider and Nishat Awan at the University of Sheffield, gathering together numerous examples of how to use architectural intelligence beyond the production of objects, and in particular in terms of social and political agency. As part of the project we curated the 2009 RIBA Research Symposium (and Jonathan Charley’s video piece on the site is wonderful), produced a book, a website & various articles, and edited two special issues one of field: the other of ARQ. The project was awarded the 2011 RIBA President’s Award for Outstanding University-based Research, making me the only person to have received this internationally important award three times.
My first published work. Oh, what a clever young chappy I was. Sanctimonious posturing.
Early piece, written when I had just got Lefebvre. Introduces themes that I play on for years to come.
Second of two, with some hints as to how to achieve flexible housing, much more developed in the book.
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
On the dangers and vanities of form. Written when I was wading through my philosophy degree and it shows.
Lecture at Het Nieuwe Instituut in Rotterdam, that runs through the structure and argument of our book of the same title. The link is to the video, with my lecture on first.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture