The first book from my scarcity research project. Edited with Jon Goodbun and Deljana Iossifova, it brings together some good articles, including ones by Ezio Manzini, Erik Swyngedouw, Winy Maas, Kate Soper and more. Table of contents is here.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A project with Helen Storey of the London College of Fashion and Tony Ryan of the University of Sheffield, arising out of their Free Radicals project. At heart a really good idea of diversifying the way that research is chosen, procured and delivered, allowing others beyond the academic circle to become involved in the processes and ideas of research. A report generously funded by the Wellcome Foundation sets out the stall. Now looking for ways of effecting it.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
This is my very short response to Paul Finch's comments on Extinction Rebellion that he made in the Architects Journal on 14th May and 21st May 2019
My first foray into the intersection of politics and architecture. Spiky.
A critique of masterplanning. On to something here, but yet to be developed.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
The article when I found my voice. Stories, the everyday and a sprinkling of theory.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
An outcome of the Architecture after Architecture research project, this short book was written collectively by members of the MOULD collective, including me.
Architecture is Climate reimagines the very foundations of architecture in an age of crises. Rejecting outdated paradigms of endless linear growth, technocratic fixes, and the separation of humans from nature, this provocative and hopeful book argues that architecture must be fundamentally rethought—not as the design of objects, but as a practice entangled with climate, politics, history, and social justice.
Through eight key themes—knowledge, economy, land, resources, infrastructure, work, policy, and culture—Architecture is Climate explores how climate breakdown reshapes every aspect of architectural thinking and doing. Drawing on diverse voices, and grounded examples from around the world, it offers not just a critique of the status quo but a vision of other possible architectures—and climates—already in the making.
The book is accompanied by a website www.architectureisclimate.net