Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
The first book from my scarcity research project. Edited with Jon Goodbun and Deljana Iossifova, it brings together some good articles, including ones by Ezio Manzini, Erik Swyngedouw, Winy Maas, Kate Soper and more. Table of contents is here.
“Beyond the Fountainhead” Lecture at the fantastic Studio X, a venture of Columbia's GSAAD. Video here
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My main statement of intent, which has been extensively reviewed (collected here) and featured on BBC Radio 3 and 4. The contents are available on the MIT Press website, as are pdfs of the preface and introduction. A version of Chapter 2 was published in field: and is available as a pdf. Winner 2009 RIBA President’s Award for Outstanding University based research. In 2025 I wrote an epilogue for the French translation.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Posted in honour of their 2014 RIBA Gold Medal Award. First published in Architectural Review in 2005 (and needs the drawings/pictures) A bit of a rave.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A further explanation of my 30% pledge, which seems to have raised debate (see comments) elsewhere on the very wonderful Parlour website.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.