Jeremy Till

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Martin Centre: University of Cambridge

Scarcity Scares. Video here.

The Vanity of Form

On the dangers and vanities of form. Written when I was wading through my philosophy degree and it shows.

Sheffield Live Projects

Working with colleagues at the University of Sheffield School of Architecture, most notably Prue Chiles and Carolyn Butterworth, we established the most developed live projects programme in the country, probably the world, with some truly wondrous results. For example, look at the final report (Part 1, Part 2, Part 3) from a group of students that I supervised looking at the use of urine to make mud bricks in Darfur. It is remarkable what they achieved in six weeks - should be awarded a PhD for this alone IMHO. 

Architecture is too important to be left to men alone

A further explanation of my 30% pledge, which seems to have raised debate (see comments) elsewhere on the very wonderful Parlour website. 

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Foreword: The Routledge Companion to Architecture and Social Engagement

Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.

What's the Point of Art School

My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian

An Incomplete Encyclopedia: Rem Koolhaas and S,M,L,XL

A review of Koolhaas' S,M,L, XL. May appear a bit grumpy, but in the end I think this is the architectural book of its generation. Reprinted in a collection of essays about Koolhaas. 

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Urban Weaving

A critique of masterplanning. On to something here, but yet to be developed.

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

New Introduction to 3 Myths and One Model

My essay on architectural research, Three Myths and One Model,  is being translated into French, so I thought it was time to write a new introduction to it, because the argument felt a bit tired, presented as it was ten years ago. 

Six Inches of Power

My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!

Design: Duarte Carrilho da Graça & Philipp Sokolov