Jeremy Till

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Scar(c)e Times

For Occupied Times, the journal of the occupation movement. On austerity contra scarcity

Architecture and Participation: 2005: Routledge

Edited with Peter Blundell Jones and Doina Petrescu. A collection of essays setting out the whys and hows of new approaches to participation. My chapter in the book appears to have ended up on this website. (under Biblioteca) Other chapters include work by Jon Broome, Giancarlo de Carlo, CHORA, and my two fellow editors.

Scarcity contra Austerity

Unpicking the differences between scarcity and austerity, the implications for the built environment. Good twitter feedback. Translated into French courtesy of the great journal Criticat. Pdf of translation here.

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Foreword: The Routledge Companion to Architecture and Social Engagement

Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.

Architecture in Space, Time

Early piece, written when I had just got Lefebvre. Introduces themes that I play on for years to come.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

The Vanity of Form

On the dangers and vanities of form. Written when I was wading through my philosophy degree and it shows.

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Flexible Housing, the means to the end (with Tatjana Schneider)

Second of two, with some hints as to how to achieve flexible housing, much more developed in the book.

Educating Otherwise

A lecture on architectural education that I presented at The Agency Conference in Sydney in 2017, Yale Symposium on Rebuilding Architecture in 2018, and as part of the Bartlett International Lecture Series in 2018. It starts with the premise that architectural education is inherently conservative, and then spins out the argument from that uncomfortable start. The video link is from the Bartlett version. It did not go down universally well...

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

The Design of Risk

Lecture given at the Australian Institute of Architects Annual Conference 2015. One of my better 'performances'

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

An Incomplete Encyclopedia: Rem Koolhaas and S,M,L,XL

A review of Koolhaas' S,M,L, XL. May appear a bit grumpy, but in the end I think this is the architectural book of its generation. Reprinted in a collection of essays about Koolhaas. 

Design: Duarte Carrilho da Graça & Philipp Sokolov