A short think piece on the 2011 Occupation movement and its relevance to architecture.
A lecture on architectural education that I presented at The Agency Conference in Sydney in 2017, Yale Symposium on Rebuilding Architecture in 2018, and as part of the Bartlett International Lecture Series in 2018. It starts with the premise that architectural education is inherently conservative, and then spins out the argument from that uncomfortable start. The video link is from the Bartlett version. It did not go down universally well...
Really just a transcription of a lecture — ideas on housing, the everyday and occupation over form.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
A bit of a cheat, because it is really the second chapter of Architecture Depends
Ten Theses on Scarcity. A lecture given in a tent on the steps of St Pauls during the Occupy London Stock Exchange period. Vocal audience who gave not a jot about my professorial authority. Rightly. Podcast, with the atmosphere of the occupation, is here.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
My response as to why giving the official government website 2013 Design of the Year was not so cool.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
The best essay on the building and meaning of our house, with stories.
Funny how ideas formed so long ago still come up. But rather gauche nonetheless.
With Nishat Awan and Tatjana Schneider. Out of the Spatial Agency project, the book provides supporting texts to the website. A summary of the issues is in our Architecture Today article, and an early review by Luke Butcher is here, plus nice ones in archidose and arquilecturas. A short excerpt (on ecological examples of spatial agency) was published in field. Winner 2011 RIBA President’s Award for Outstanding University based research.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Lecture at Het Nieuwe Instituut in Rotterdam, that runs through the structure and argument of our book of the same title. The link is to the video, with my lecture on first.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.