The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Umeå School of Architecture, as part of their “Making Architecture Politically” lecture series. A new lecture. Quite bossy but clear about the issues. Video is here. Starts about 50mins in with a very generous introduction from Roemer Van Toorn (whose writing is always worthwhile).
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
Really just a transcription of a lecture — ideas on housing, the everyday and occupation over form.
An outcome of the Architecture after Architecture research project, this short book was written collectively by members of the MOULD collective, including me.
Architecture is Climate reimagines the very foundations of architecture in an age of crises. Rejecting outdated paradigms of endless linear growth, technocratic fixes, and the separation of humans from nature, this provocative and hopeful book argues that architecture must be fundamentally rethought—not as the design of objects, but as a practice entangled with climate, politics, history, and social justice.
Through eight key themes—knowledge, economy, land, resources, infrastructure, work, policy, and culture—Architecture is Climate explores how climate breakdown reshapes every aspect of architectural thinking and doing. Drawing on diverse voices, and grounded examples from around the world, it offers not just a critique of the status quo but a vision of other possible architectures—and climates—already in the making.
The book is accompanied by a website www.architectureisclimate.net
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A short paper for the Journal of Architectural Education which specifically links issues of scarcity with notions of agency
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
An obituary written for the Architectural Review and Architects Journal, just a few days after the tragic loss of PBJ.
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
A review of Koolhaas' S,M,L, XL. May appear a bit grumpy, but in the end I think this is the architectural book of its generation. Reprinted in a collection of essays about Koolhaas.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.