Society of Architectural Historians: Detroit
From Objects of Austerity to Processes of Scarcity. Text of presentation available through link above.
From Objects of Austerity to Processes of Scarcity. Text of presentation available through link above.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Musings on Biennales and architectural exhibitions. Good opening! Light follow through.
Another introduction, this time for ARQ, to projects arising out of the Spatial Agency project.
An outcome of the Architecture after Architecture research project, this short book was written collectively by members of the MOULD collective, including me.
Architecture is Climate reimagines the very foundations of architecture in an age of crises. Rejecting outdated paradigms of endless linear growth, technocratic fixes, and the separation of humans from nature, this provocative and hopeful book argues that architecture must be fundamentally rethought—not as the design of objects, but as a practice entangled with climate, politics, history, and social justice.
Through eight key themes—knowledge, economy, land, resources, infrastructure, work, policy, and culture—Architecture is Climate explores how climate breakdown reshapes every aspect of architectural thinking and doing. Drawing on diverse voices, and grounded examples from around the world, it offers not just a critique of the status quo but a vision of other possible architectures—and climates—already in the making.
The book is accompanied by a website www.architectureisclimate.net
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
An extended argument of what participation might be and mean in architecture. Probably my most ‘scholarly’ piece. Widely cited and (so my co-design colleagues tell me) respected.
Sticky opening (I was reading Kant at the time) but better later on issues of time in architecture.
In an idle moment I asked ChatGTP to "write a short statement in the style of the architecture critic Jeremy Till on the state of the architectural profession" The result is scarily good.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This was a comment on the UK Government's White Paper on Higher Education from 2011. Corrects a few myths.
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.