Short and a bit inconsequential riposte to Markus Miessen’s Nightmare of Participation.
An obituary written for the Architectural Review and Architects Journal, just a few days after the tragic loss of PBJ.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Together with members of MOULD, I delivered a keynote address at the opening of the International Architecture Biennale Rotterdam, 'Nature of Hope', where we were also exhibiting our embroidery installation. The lecture has interventions from members of MOULD who stand up to read excerpts from our writings. Our bit starts around 32 minutes in.
My final tribute to PBJ
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.
Not a lecture, but a podcast. The first episode from the new 'Architecture Academy' Podcast, set up and delivered by Marc Tuitt (who once was a student at Sheffield when I was Head of School). Under his wise questioning and sharp editing, I come across (though I say it myself) as sharp and focussed on some contemporary architectural issues (sexism, the profession, education and Brexit among them).
A further explanation of my 30% pledge, which seems to have raised debate (see comments) elsewhere on the very wonderful Parlour website.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A short piece that I wrote in 2010 for the Architects Journal about end-of-year architecture shows. Some rather paranoid architectural tutors at Westminster (where I was then Dean) saw this as an attack on them personally, and so excommunicated me forthwith. In fact it was nothing to do with them but rather a concern about the general direction of architectural education as manifested through the exhibition.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture