A short think piece on the 2011 Occupation movement and its relevance to architecture.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My closing speech at the main conference for What's the Point of Art School, a series of events organised by Central Saint Martins. The video of the speech, which was well-recieved, is here. Other talks, including brilliance from Johnny Vegas, are here. There was a good write up of the day in the Guardian.
For Occupied Times, the journal of the occupation movement. On austerity contra scarcity
The best essay on the building and meaning of our house, with stories.
From Objects of Austerity to Processes of Scarcity. Text of presentation available through link above.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
An extended argument of what participation might be and mean in architecture. Probably my most ‘scholarly’ piece. Widely cited and (so my co-design colleagues tell me) respected.
A short piece written in 2012 for the RIBA Building Futures series on the future of architectural education and the profession. More bullish than I now feel.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A large European funded research project for which was the project leader. Looking at the way the production of the built environment is affected under conditions of scarcity. In partnership with TU Vienna and Oslo School of Architecture, and working with Deljana Iossifova and Jon Goodbun at the University of Westminster and the SEED Foundation. A range of books, exhibitions and events came out of it (press the 'scarcity' link below to find some of them).The link is to our original application to the HERA (Humanities in the European Research Area). It was one of only 18 projects funded under the first HERA call, with over 200 applications submitted.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Early stuff on research and first ideas on contingency. Others like this more than I do - it won best paper at EAAE conference. Big in China (reprinted in The Architect (China), Vol 118 Dec 2005)
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)