A short piece written in 2012 for the RIBA Building Futures series on the future of architectural education and the profession. More bullish than I now feel.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
My first foray into the intersection of politics and architecture. Spiky.
My essay on architectural research, Three Myths and One Model, is being translated into French, so I thought it was time to write a new introduction to it, because the argument felt a bit tired, presented as it was ten years ago.
An outcome of the Architecture after Architecture research project, this short book was written collectively by members of the MOULD collective, including me.
Architecture is Climate reimagines the very foundations of architecture in an age of crises. Rejecting outdated paradigms of endless linear growth, technocratic fixes, and the separation of humans from nature, this provocative and hopeful book argues that architecture must be fundamentally rethought—not as the design of objects, but as a practice entangled with climate, politics, history, and social justice.
Through eight key themes—knowledge, economy, land, resources, infrastructure, work, policy, and culture—Architecture is Climate explores how climate breakdown reshapes every aspect of architectural thinking and doing. Drawing on diverse voices, and grounded examples from around the world, it offers not just a critique of the status quo but a vision of other possible architectures—and climates—already in the making.
The book is accompanied by a website www.architectureisclimate.net
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Musings on Biennales and architectural exhibitions. Good opening! Light follow through.
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
This is my glowing review of Barnabas Calder's new history of architecture, from the perspective of energy and climate. Spoiler alert: it is good.