The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Early piece, written when I had just got Lefebvre. Introduces themes that I play on for years to come.
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
This was a comment on the UK Government's White Paper on Higher Education from 2011. Corrects a few myths.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Edited with Peter Blundell Jones and Doina Petrescu. A collection of essays setting out the whys and hows of new approaches to participation. My chapter in the book appears to have ended up on this website. (under Biblioteca) Other chapters include work by Jon Broome, Giancarlo de Carlo, CHORA, and my two fellow editors.
A worthy piece that begins to unpick notions of autonomy in architecture. Good opening, slightly ploddy continuation.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Text of my talk as part of the celebration of PBJ's life held at the University of Sheffield, 16th November 2016
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Architecture Depends/Spatial Ethics. Video of the lecture is here.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.