Jeremy Till

Resuscitating Architectural Education

An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne. 

Urban Weaving

A critique of masterplanning. On to something here, but yet to be developed.

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Four facts about higher education policy

More or less what it says on the tin — facts that were correct in early 2012.

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

We need to talk about Saudi Arabia

Written in despair that it appears to have become an acceptable norm for architects to work in Saudi Arabia. I pick off the common justifications one by one. Published on the day that Saudi was awarded the World Cup in a piece of egregious sportwashing.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

The Urban Miniature

Funny how ideas formed so long ago still come up. But rather gauche nonetheless.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Three Politics

This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made

Stock Orchard Street

My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ...  A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.

Foreword: The Routledge Companion to Architecture and Social Engagement

Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.

The King is Dead!Long Live the Queen!

Short and a bit inconsequential riposte to Markus Miessen’s Nightmare of Participation.

Is the Golden Age of Art Schools Over?

When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Design: Duarte Carrilho da Graça & Philipp Sokolov