My main statement of intent, which has been extensively reviewed (collected here) and featured on BBC Radio 3 and 4. The contents are available on the MIT Press website, as are pdfs of the preface and introduction. A version of Chapter 2 was published in field: and is available as a pdf. Winner 2009 RIBA President’s Award for Outstanding University based research. In 2025 I wrote an epilogue for the French translation.
Written in despair that it appears to have become an acceptable norm for architects to work in Saudi Arabia. I pick off the common justifications one by one. Published on the day that Saudi was awarded the World Cup in a piece of egregious sportwashing.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.
A long piece on Trump-Brexit-Architecture. I was nervous doing it because I thought everything had been said, but thought there was an urgency, so any contribution felt worthwhile.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
A short text written by our research collective MOULD as part of our pitch for the Rotterdam Architecture Biennale 2024. The text situates our research project Architecture is Climate as a parable.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Editorial for the third issue of the Italian Journal Ardeth, for which I was guest editor. The issue theme was ‘Money’
The first book from my scarcity research project. Edited with Jon Goodbun and Deljana Iossifova, it brings together some good articles, including ones by Ezio Manzini, Erik Swyngedouw, Winy Maas, Kate Soper and more. Table of contents is here.