Jeremy Till

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Peter Blundell Jones: An Obituary

An obituary written for the Architectural Review and Architects Journal, just a few days after the tragic loss of PBJ. 

Martin Centre: University of Cambridge

Scarcity Scares. Video here.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Here, There and North of Nowhere

Short piece examining local identity, starting with a pop at Frampton’s Critical Regionalism.

Cook Memorial Lecture: University of Toronto

Architecture Depends

Nature Unlocks Architecture

The presentation from a keynote that I gave at Polimi as part of the Architecture Unlocks Nature conference. I felt the need to reverse the title of the conference to reflect that our sensibility needs to shift to one that puts nature in the driving seat. 

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Sheffield Live Projects

Working with colleagues at the University of Sheffield School of Architecture, most notably Prue Chiles and Carolyn Butterworth, we established the most developed live projects programme in the country, probably the world, with some truly wondrous results. For example, look at the final report (Part 1, Part 2, Part 3) from a group of students that I supervised looking at the use of urine to make mud bricks in Darfur. It is remarkable what they achieved in six weeks - should be awarded a PhD for this alone IMHO. 

Stock Orchard Street

My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ...  A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Three Politics

This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

The Intimate Inner

My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.

New Collectives

An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Design: Duarte Carrilho da Graça & Philipp Sokolov